Grenache has filled a Pinot-shaped void for Steve Pannell. I know, sounds an unlikely substitution: a sun-worshipping, late-ripening, oft-blended also-ran for the crown prince of the Côte de Nuits? But over recent years people like Pannell have steadily recast Grenache as the Burgundy of South Australia.
As a junior winemaker he was “very much obsessed” with Pinot Noir at Tim Knappstein’s Lenswood Vineyards in the Adelaide Hills. “I liked that style, with power and intensity fitting within a medium-bodied frame. When I first came to McLaren Vale I was at a bit of a loss,” he says. That was in the mid-90s when he started out at Hardys, where he’d eventually rise to the position of Group Red Winemaker before establishing S.C. Pannell* a decade ago.
So he started “mucking around” with Grenache at the famous Tintara winery to see what he could do. “Grenache takes a bit more nous and work and guile to get it where you want it to be, and that challenged me.” It’s a challenge to which he’s well and truly risen, in the process helping to unearth McLaren Vale and its old bush vines as one of the planet’s few sacred sites for Grenache.
The 2010 S.C. Pannell Grenache picked up Best Other Red Varietal at the 2012 Royal Melbourne Wine Show and scored 97 points in James Halliday’s Australian Wine Companion, a feat replicated by the 2012 release, which also won Best Other Red at the Wine Companion Awards a few months back. But while those titles confirm Pannell’s prowess with the grape, this “best other” business says something of the second-string status that Grenache has long been saddled with.
Pannell suggests a few reasons why it’s been left behind. There’s the so-called Parkerisation of wine, a bigger-is-better fad that did no favours for Grenache, with its modest palate weight and tendency towards boozy jamminess if not held in check. The fact that it is so commonly blended may also leave a question mark over its fitness for standalone supremacy – and here Pannell points to the lack of an obvious global benchmark wine that is 100% Grenache. He also posits that Australians may have shown a historical wariness of tannins, preferring the plush, velvety profile of Shiraz.
Conversely those tannins – a tricky thing to get right – help explain his fondness for, and success with, the grape. “I love the gritty, sandy tannins in Grenache, the savoury fruit and aromatic punch – what I see as a kind of musk and rosewater lift – in a light- to medium-bodied wine. That’s why I dig it.”
Further afield, Pannell definitely digs the wines of Clos des Papes and Château Rayas in Châteauneuf-du-Pape, and has also enjoyed exploring the wares of Álvaro Palacios’s L’Ermita in that other old-vine Grenache heartland, Priorat. But he also marvels at the treasures on his doorstep, reserving particular admiration for Wirra Wirra, Yangarra and d’Arenberg. Fittingly, he’ll be spending International Grenache Day with fellow McLaren Vale flagbearers at Serafino, where Halliday is presiding over a grand masterclass.
So what is it that makes this region so special for Grenache? There are the ocean breezes and Mediterranean climate, a combination that mirrors Sardinia, which claims to be the birthplace of Grenache (Cannonau as the islanders call it). There are the ancient and varied soils, too, plus the old vines.
But really, of course, who knows what the secret is? “It’s illogical. You can’t just say ‘It works here, so it’ll work there’. What makes the Côte de Nuits so good for Pinot?” says Pannell. “It’s part of the whole mystery of wine. It expresses a place and the people’s passion for that place.”
Pannell also embraces the mystery in his Grenache blends, such as The Vale (with Shiraz) and Tinto (with Touriga). “The varieties are like different colours, where you put them together and you don’t know what picture you’re going to end up with – and you don’t want to know, because in some ways that’s the beauty of it,” he says, likening the overall outcome to the experience of drinking a wine from iconic Clare Valley winery, Wendouree. “You know it’s a Wendouree before you know what it’s made of,” he says. “That’s the great beauty of having these very special pieces of dirt. The landscape is so important. It’s the only thing we have that’s truly unique.”
*This post was initially published on CellarHand’s website. CellarHand is both the author’s present employer and the distributor of S.C. Pannell wines in NSW and Victoria.
2 thoughts on “Volnay Of The Vale”
Hi Ed, Iain from Vintage and Vine. I happened upon your blog when I googled the 2012 Vale from SC Pannell, one of the better Aussie wines I’ve had in a while. We sell a lot of CNF, including the Clos des Papes you mentioned Steve is partial to. I noted with interest though Steve feels Grenache has been a victim of the Parker effect? I agree with the other comments, but feel Parker’s fondness for CNF highlights the most misunderstood aspect of his preferences/palate. Agreed, he likes ridiculous, over oaked high octane wines, but if you look at many of the wines he loves from CNF they are very traditionally made; (old foudres, 100% whole bunch etc). Rayas, Pegau, Charvin, Henri Bonneau etc. going back to the early eighties, Parker almost single handedly built a market for CNF. Even in the late nineties, wines like Beaucastel and Vieux Telegraphe were still selling sub-$50 Oz
Hi Iain, thanks a lot for the message. Steve’s comment – and perhaps I haven’t conveyed it clearly – was not so much that Parker changed the style of Grenache but more that he came to symbolise a quest for boldness and bigness among drinkers – ie that some people searching out a bottle of wine came to equate “bigness” with greatness. And varietal Grenache would be a loser in such a quest because a) It doesn’t typically give you “bigness” in terms of palate weight, and b) if a winemaker were tempted to dial it up, the results might be ugly. So it’s more that there wasn’t much of a place for varietal Grenache under the “bigger is better” ethos. Does that make sense?